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Free for Commercial Use

Sans Superellipse Tadih 6 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Goldtext' by Attractype, 'Neue Farmero' by Kaligra.co, 'Heroic Condensed' by TypeTrust, and 'Ggx89' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, condensed, utility, retro, mechanical, space saving, high impact, signage clarity, industrial tone, tall, compact, blocky, squared, rounded corners.


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A tall, tightly packed sans with compact widths and a strong vertical rhythm. Strokes are consistently heavy and even, with rounded-rectangle counters and corners that give curves a squarish, superelliptical feel. Terminals are mostly blunt and straight, and many joins show subtle ink-trap-like notches or small cut-ins that sharpen the interior spaces. The overall texture is dense and high-impact, with clear, simplified shapes that hold together in large sizes and stack well in narrow layouts.

Best suited to display roles where space is tight and impact matters—posters, headlines, signage, packaging, and bold wordmarks. It can work for short subheads or labels, especially when a condensed, industrial look is desired, but the dense forms and tight apertures are more comfortable at larger sizes than in long body copy.

The font reads as industrial and utilitarian, with a retro, machine-made tone. Its condensed build and squared rounding evoke signage, stenciled labeling, and functional display typography rather than soft or expressive handwriting. The slightly rugged interior cut-ins add a workwear, workshop character that feels practical and engineered.

The design appears intended as a condensed display sans that maximizes presence in narrow columns. Its superelliptical construction and squared rounding aim for a controlled, engineered feel, while the small interior cut-ins help keep counters open and add a distinctive, workmanlike signature.

Round letters (like O and Q) are notably squarish, and the apertures in letters such as C and S stay relatively tight, reinforcing a compact, poster-like color. The lowercase is similarly narrow with sturdy stems and small, blocky bowls, keeping a uniform, compressed rhythm across mixed-case settings. Numerals share the same tall, condensed proportions for consistent headline use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸