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Free for Commercial Use

Sans Superellipse Tudo 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Grillmaster' by FontMesa, 'Fox Aromatic' by Fox7, 'Cairoli Classic' by Italiantype, 'Athletic Pro' by Mandarin, and 'Kapra' and 'Lupo' by Typoforge Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, industrial, stenciled, gritty, utility, retro, impact, ruggedness, vintage print, labeling, compactness, condensed, roughened, squarish, blunt, compact.


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A condensed, heavy sans with squared, rounded-rectangle (superellipse-like) counters and largely uniform stroke weight. Corners and terminals are blunt and softly rounded, while edges show intentional roughening and slight irregularity that mimics ink spread or worn stamping. Proportions are compact with tight apertures and vertically emphatic shapes; curves resolve into boxy arcs, giving round letters a squarish footprint. Numerals and lowercase follow the same condensed, blocky rhythm, maintaining consistent density across lines of text.

Best suited to display settings where compact width and strong weight are an advantage: posters, bold headlines, product packaging, and signage that benefits from an industrial or stamped aesthetic. It can also work for logotypes and badges where a rugged, analog texture is desired, especially at medium-to-large sizes.

The texture and compressed stance evoke utilitarian printing—stamps, labels, and worn signage—creating a rugged, workmanlike tone. It reads as assertive and practical rather than refined, with a vintage-industrial character that feels tactile and imperfect in a deliberate way.

The design appears intended to deliver high-impact condensed typography with a stamped/printed texture, combining rounded-rectangle geometry with deliberate wear to suggest authenticity and physical production. Its consistent, boxy curves and blunt terminals prioritize density and presence over delicacy.

The distressed contouring is consistent across the set, so the face holds together as a system rather than looking randomly degraded. In longer text the tight spacing and heavy color create strong impact, while the rough edges add visual noise that becomes more noticeable at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸