Sans Other Lyry 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad', 'Myriad Bengali', and 'Myriad Devanagari' by Adobe and 'MVB Solitaire Pro' by MVB (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, merchandise, industrial, stenciled, rugged, utilitarian, military, stencil aesthetic, high impact, marking style, rugged branding, cut-out, broken strokes, blocky, rounded corners, ink-trap feel.
A heavy, blocky sans with a stencil-like construction built from broad strokes and frequent internal cut-ins. The letterforms have mostly squared geometry with softly rounded corners, and the counters are often split by narrow vertical gaps that create a segmented, cut-out look. Curves (C, O, G, e) read as thick arcs with deliberate interruptions, while diagonals (V, W, X, Z) are chunky and slightly uneven, lending a hand-cut or sprayed-through-template character. Spacing is sturdy and the silhouette stays bold and compact, with small apertures and simplified details that prioritize impact over refinement.
Best suited to display contexts such as posters, headlines, product packaging, labels, and signage where a bold, stenciled voice is desirable. It also works well for branding in outdoor, workwear, or industrial-themed projects, and for short callouts where texture and impact are more important than long-form readability.
The overall tone is tough and practical, evoking industrial labeling, shipping crates, and equipment markings. The broken strokes add a gritty, worn-in attitude that feels assertive and no-nonsense, with a hint of DIY or street-stencil energy.
The design appears intended to deliver a high-impact sans with an unmistakable stencil/cut-out signature, combining sturdy geometry with purposeful breaks for an industrial marking aesthetic. It favors strong silhouettes and repeatable shapes that suggest lettering made to be painted, stamped, or sprayed through a template.
The stencil breaks are not uniform across all glyphs, which adds texture and a slightly irregular rhythm in text. Rounded joins and thick terminals keep the forms readable at display sizes, while the narrow internal gaps can fill in at very small sizes or under low-resolution reproduction.