Sans Superellipse Oslaj 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Nima' by Naghi Naghachian, and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, sporty, assertive, modern, compact, impact, compactness, modernization, utility, blocky, squared, rounded corners, high impact, dense.
A compact, heavy sans with a squared, superellipse construction: rounded-rectangle counters, flat terminals, and a generally vertical, no-nonsense stance. Curves are tightened into boxy arcs (notably in C, G, O, S), while straight strokes stay rigid and even, producing a sturdy, low-detail silhouette. Spacing is economical and the rhythm is dense; rounds don’t fully open up, giving text a packed, poster-like texture. Numerals are similarly stout and geometric, matching the alphabet’s blunt, engineered feel.
Best suited to headlines, short statements, logos, packaging, and wayfinding where strong silhouettes and dense texture help information read at a glance. It can also work for UI labels or badges when a compact, high-impact voice is needed and line lengths are kept short.
The tone is bold and utilitarian—confident, forceful, and slightly industrial. Its compact shapes and squared rounds evoke athletic branding and contemporary signage, with an emphasis on impact over delicacy.
Likely drawn to deliver a maximum-impact sans that stays compact while remaining coherent and consistent across letters and numerals. The superellipse geometry and flat terminals suggest an intent to feel engineered and contemporary, optimized for branding and display settings rather than delicate text typography.
The design relies on consistent, squared curve logic across uppercase, lowercase, and figures, which keeps words looking uniform and highly graphic. In longer lines, the dense color and tight apertures can feel intense, making it most effective when size and spacing are allowed to breathe.