Sans Other Veru 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fat Albert BT' by Bitstream, 'Stallman' and 'Stallman Round' by Par Défaut, 'SbB Powertrain' by Sketchbook B, and 'Grendo' and 'Kraken' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming ui, packaging, industrial, techno, arcade, constructivist, military, impact, futurism, utility, signage, branding, angular, blocky, chamfered, stencil-like, squared counters.
A heavy, geometric sans built from blunt rectangular strokes and squared proportions, with frequent chamfered corners that create a faceted silhouette. Counters tend to be boxy and compact, and several forms use notched joins and inset cuts that read as near-stencil construction while remaining mostly continuous. Curves are minimized in favor of straight segments, producing a rigid rhythm and strong verticals; diagonals appear as clipped corners rather than smooth angles. Lowercase follows the same modular, squared logic, with simplified bowls and short, sturdy terminals, giving the design a consistent, mechanical texture across letters and numerals.
Best suited to large-size applications where its blocky geometry and corner cuts can be appreciated—headlines, poster titling, branding marks, game or sci‑fi interface graphics, and bold packaging or label systems. It can also work for short captions or wayfinding-style callouts when spacing is generous.
The overall tone is assertive and utilitarian, evoking industrial labeling, retro arcade UI, and rugged tech aesthetics. Its squared geometry and cut corners add a tactical, engineered feel that reads as modern and no-nonsense rather than friendly or decorative.
The design appears intended to deliver maximum impact with a modular, engineered construction—prioritizing bold presence, crisp right angles, and a distinctive cut-corner motif that gives a quasi-stencil, industrial character.
The extreme weight creates dense word shapes, and the small, squared counters can close up at smaller sizes or in tight tracking. Numerals match the lettering’s angular language and appear designed for high-impact display rather than subtle text setting.