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Free for Commercial Use

Serif Flared Omva 5 is a very bold, wide, high contrast, italic, tall x-height font visually similar to 'Nashville EF' by Elsner+Flake, 'Nashville Serial' by SoftMaker, and 'TS Nashville' by TypeShop Collection (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, magazine titles, retro, assertive, playful, dramatic, editorial, headline impact, vintage flavor, expressive serif, brand voice, decorative emphasis, flared serifs, swashy, ball terminals, wedge cuts, ink-trap-like.


Free for commercial use
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A weighty display serif with a pronounced forward slant and energetic, flared stroke endings. Strokes show strong modulation, with thick main bodies and sharp, tapering transitions that create wedge-like cuts and small notches at joins. Serifs and terminals often sweep into pointed or curled forms, and several lowercase letters feature ball terminals and teardrop counters that heighten the decorative feel. The overall rhythm is compact and punchy, with sturdy verticals, rounded bowls, and a lively, slightly irregular silhouette that reads as intentionally stylized rather than strictly text-oriented.

Best suited to large-scale typography where the flared terminals and high-contrast modeling can be appreciated—posters, magazine and book covers, logotypes, and packaging. It can work well for short bursts of copy such as pull quotes or section headers, especially when a retro, high-impact tone is desired.

The font projects a bold, vintage showcard attitude—confident, attention-grabbing, and a bit mischievous. Its slanted stance and flared, knife-like terminals give it a sense of motion and drama, while the rounded counters and occasional curls add a playful, theatrical tone.

The design appears intended as a charismatic display face that blends classic serif structure with flared, calligraphic finishing to maximize presence. Its exaggerated contrast, angled stance, and decorative terminals suggest a goal of creating memorable word-shapes for titles and branding rather than extended reading.

The numerals and capitals maintain the same emphatic, sculpted contrast and sharp terminal vocabulary, helping headlines feel cohesive across mixed-case and numeric settings. The distinctive interior cut-ins and tapered joins create bright, sparkling details at large sizes but may appear busy if set too small or tightly tracked.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸