Sans Superellipse Pikey 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Alternate Gothic Pro EF' by Elsner+Flake, 'CF Blast Gothic' by Fonts.GR, 'Alternate Gothic' by Linotype, 'Alternate Gothic Pro' by SoftMaker, and 'Alternate Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, assertive, condensed, urban, poster-ready, space saving, high impact, modern utility, structural geometry, blocky, compact, tall, monoline, rounded corners.
A compact, tall sans with a strongly condensed stance and heavy, even strokes. Curves are built from rounded-rectangle/superellipse forms, giving bowls and counters a squarish softness rather than perfect circles. Terminals are blunt and clean, apertures are relatively tight, and interior counters stay small but consistent, creating dense color and strong vertical rhythm. The overall geometry is disciplined and uniform, with sturdy joins and minimal stroke modulation.
Best suited to headlines, posters, and display settings where high impact and space economy matter. It also fits branding, packaging, and signage that benefit from a compact, forceful voice, especially in tight horizontal layouts.
The font projects an assertive, utilitarian tone—confident and no-nonsense, with a contemporary industrial edge. Its narrow, high-impact silhouettes feel suited to urgent messaging and space-efficient emphasis, reading as modern and urban rather than friendly or calligraphic.
The design appears intended to deliver maximum visual weight in minimal width while keeping letterforms clean and systematic. The superellipse-based rounding softens the blocky construction just enough to stay approachable without losing its bold, engineered character.
The condensed proportions and tight spacing create strong word-shapes but can make long passages feel intense; it performs best when given generous leading and clear hierarchy. Round forms retain a squared character throughout, reinforcing a constructed, engineered feel.