Sans Superellipse Ponak 6 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Tungsten' by Hoefler & Co., 'Seriguela' by Latinotype, 'Molde' by Letritas, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, condensed, industrial, editorial, modern, punchy, space saving, high impact, modern utility, systematic consistency, tall, blocky, compact, monoline, squared rounds.
A tall, compact sans with tightly drawn proportions and a strong vertical rhythm. Strokes remain largely even, giving the letters a firm, poster-like solidity, while corners and curves resolve into rounded-rectangle (superellipse) shapes rather than true circles. Counters are narrow and openings are controlled, producing a dense texture that stays clean and consistent across caps, lowercase, and figures. The overall silhouette feels engineered: straight stems, restrained terminals, and smooth, simplified curves that keep the design crisp at display sizes.
Well suited to headlines, subheads, posters, and other attention-driving settings where space is limited and impact is needed. It can also work effectively for branding, packaging, and signage systems that benefit from a compact, engineered look and consistent, sturdy letterforms.
The font conveys a confident, no-nonsense tone with a contemporary, industrial edge. Its condensed stance and sturdy shapes feel assertive and efficient, making messages read as direct and impactful rather than delicate or expressive.
The design appears intended to deliver maximum presence in a narrow footprint, pairing dense proportions with simplified superellipse-based curves for a modern, utilitarian voice. It prioritizes an even, controlled texture and strong silhouette to maintain clarity and punch in display applications.
The sample text shows a uniform, high-impact color on the page with minimal sparkle, emphasizing legibility through clear shapes and strong verticals. Rounded-rectangular bowls and counters give the face a distinctive, structured softness that differentiates it from purely geometric condensed sans designs.