Font Hero

Sans Superellipse Fomip 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february; 'Cybersport' by Anton Kokoshka; and 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, techy, energetic, modern, assertive, impact, speed, modernity, durability, clarity, rounded, oblique, squared, compact, angular.

A heavy, oblique sans with softened, squared curves and a consistent rounded-rectangle construction throughout. Strokes are monolinear and sturdy, with tight apertures and compact counters that keep forms dense and punchy. Corners are strongly radiused rather than sharp, giving bowls and rounded letters a superelliptical feel while maintaining straight-sided geometry. Overall spacing reads slightly tight, with a forward-leaning rhythm and pragmatic, engineered proportions in both letters and numerals.

Best suited to short-form copy where speed and impact matter—headlines, posters, product marks, and branding systems that benefit from a forward-leaning stance. It also fits sports, automotive, and tech-adjacent applications, and holds up well in large UI labels or signage where bold, rounded forms aid quick recognition.

The tone is fast and purposeful, combining a sporty, motorsport-like slant with a clean, technical finish. Its rounded corners temper the aggression, resulting in a confident, contemporary voice that feels built for motion, equipment, and performance-forward branding.

The design appears intended to merge a streamlined oblique stance with rounded-rectilinear geometry, delivering a modern display sans that feels engineered and dynamic. It prioritizes strong silhouettes and consistent curvature for branding clarity and high-energy messaging.

The uppercase shows simplified, robust silhouettes with minimal internal detailing, while the lowercase keeps the same squared-round logic for a cohesive texture in paragraphs. Numerals follow the same construction, appearing compact and display-ready, with shapes that favor impact over delicate differentiation at small sizes.