Sans Superellipse Ferey 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'British Vehicle JNL' by Jeff Levine, 'Charles Wright' by K-Type, 'Navine' by OneSevenPointFive, 'Nulato' by Stefan Stoychev, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, industrial, confident, retro, impact, speed, modernization, branding, rounded, oblique, squared, compact, punchy.
A heavy, oblique sans with rounded-rectangle construction and a squared-off, superelliptical feel across curves and counters. Strokes stay largely uniform, with softened terminals and corners that keep the forms compact and dense. Letter shapes lean forward with a steady slant, and many glyphs show slightly condensed apertures and counters that emphasize a sturdy, blocky rhythm. Numerals and capitals read strongly, with wide, stable horizontals and rounded corners that maintain consistency across the set.
Best suited to headlines, posters, and branding where impact and motion are priorities. It works well for sports identity, product packaging, event graphics, and bold UI callouts that need a compact, high-contrast silhouette against background imagery. For long reading at small sizes, the dense counters may feel heavy, but it performs strongly in short, emphatic text.
The overall tone is assertive and kinetic, with a forward-leaning stance that suggests speed and momentum. Rounded squareness adds a modern, engineered feel while retaining a hint of classic sports and headline typography. The result feels confident and attention-seeking rather than delicate or editorial.
The font appears designed to deliver a fast, strong voice through a slanted stance and rounded-rect geometry, balancing toughness with friendly corner treatment. Its consistent stroke weight and compact proportions suggest an emphasis on clarity and punch in display contexts.
The design’s tight interior spaces and compact joins favor large sizes, where the rounded-square geometry and slanted energy are most apparent. Forms like the single-storey a and g and the simplified, sturdy digit shapes reinforce a utilitarian, display-oriented character.