Sans Superellipse Esgey 12 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Famiar' by Mans Greback, 'Bitner' by The Northern Block, and 'Meutas' and 'Meutas Soft' by Trustha (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, ui labels, sporty, techy, dynamic, clean, confident, convey motion, modernize, maximize impact, signal performance, oblique, rounded, geometric, compact, aerodynamic.
A heavy, oblique sans with smooth, superellipse-driven curves and blunt, rounded terminals. The stroke weight is consistently robust with little visible contrast, giving the forms a solid, even color on the page. Counters are compact and slightly squarish in rounded letters, while joins and diagonals feel engineered and taut, producing a streamlined rhythm. Figures are sturdy and clear, with simple, modern construction that matches the letterforms’ rounded-rectangle geometry.
Best suited to headlines and short, high-impact text where the weight and slant can project speed and confidence. It can work well for sports, automotive, and tech branding, as well as packaging or signage that benefits from a modern, streamlined voice. In interfaces, it fits for prominent labels, buttons, or feature callouts where compact, assertive forms help maintain clarity.
The overall tone is fast and forward-leaning, with an athletic, performance-oriented energy. Its rounded geometry keeps the voice friendly and contemporary, while the dense weight and slant add urgency and momentum. The effect reads as modern and utilitarian rather than decorative.
The design appears intended to combine a contemporary geometric base with a sense of motion, using a strong oblique stance and rounded-rectangle curves for a modern, energetic signature. It prioritizes bold presence and a cohesive, engineered texture across letters and figures.
The oblique angle is pronounced enough to communicate motion, yet the shapes remain controlled and highly consistent across the set. Wide diagonals (like in V/W/X/Y) look stable and deliberate, and round characters maintain a distinctive squarish softness that reinforces the technical, modern feel.