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Sans Superellipse Hokim 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Sans Atwic Modern' by Caron twice, 'Faculty' by Device, 'Altersan' by Eko Bimantara, 'SST' by Monotype, 'Fact' by ParaType, and 'Allumi Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, clean, impact, approachability, clarity, modernity, brand presence, rounded, compact, blocky, geometric, soft-cornered.


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A heavy, rounded sans with a compact footprint and strongly softened corners throughout. Curves and straights connect with smooth transitions, producing squarish bowls and counters rather than fully circular ones. Strokes are uniform and sturdy, with broad joins and minimal modulation; terminals are clean and blunt. The lowercase is simple and highly legible, with single-storey forms (notably in a and g) and short, functional extenders that keep a tight vertical rhythm. Numerals are robust and open, matching the same rounded-rectangle construction and dense, sign-ready color.

Best suited for headlines and display settings where a compact, high-impact texture is desired—posters, branding wordmarks, packaging, and signage. It can also work for short blocks of UI or marketing copy when large sizes are used and a friendly, modern tone is needed.

The overall tone is bold and approachable: sturdy enough to feel authoritative, but rounded enough to read as warm and contemporary. Its dense, even texture gives text a confident “headline voice,” while the softened geometry keeps it from feeling harsh or industrial.

The design appears intended to deliver maximum impact with minimal fuss: a geometric, rounded construction that stays legible and consistent across uppercase, lowercase, and numerals. The emphasis is on sturdy forms, tight rhythm, and approachable softness for contemporary display typography.

Round letters such as C, G, O, and Q show squared-off curvature and generous interior counters, reinforcing a superellipse-like skeleton. Diagonals (V, W, X, Y, Z) are wide and stable, and the punctuation in the sample text sits solidly without appearing delicate, supporting a strong, consistent typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸