Sans Other Ofbu 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Kolesom' by Frantic Disorder, 'Mexiland' by Grezline Studio, 'Herchey' by Ilham Herry, 'FTY Galactic VanGuardian' by The Fontry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, game ui, sports graphics, industrial, techno, arcade, stencil-like, assertive, impact, futuristic tone, industrial feel, display clarity, blocky, geometric, angular, modular, condensed caps.
A heavy, block-constructed sans with sharply squared outer contours and predominantly straight-sided geometry. Corners are often chamfered into small diagonals rather than rounded, giving the letterforms a faceted, machined feel. Counters are mostly rectangular and compact, and the overall color is dense and uniform, with minimal modulation in stroke thickness. Proportions lean tall in the capitals, while the lowercase keeps a sturdy, squared rhythm; details like the single-storey a, squared bowls, and notched joins reinforce a modular, built-from-blocks construction.
Best suited to display sizes where its dense, blocky shapes can deliver strong impact—headlines, posters, product branding, and titles. It also fits interface and entertainment contexts such as game UI, esports/sports graphics, and techno-themed event materials, where a rugged, geometric voice is desirable.
The font reads as tough and utilitarian, with a distinctly digital/industrial attitude reminiscent of arcade UI, sci‑fi interfaces, and stamped or cut signage. Its tight, angular forms project urgency and impact rather than softness or elegance.
The design appears intended to deliver maximum visual punch with a modular, industrial construction—prioritizing bold presence and a distinctive, angular identity. Its consistent rectangular counters and chamfered corners suggest a deliberate nod to digital and engineered aesthetics while staying legible in short bursts of text.
Distinctive notches and chamfered terminals introduce a quasi-stencil flavor without fully breaking strokes, and several glyphs incorporate asymmetric cuts that add motion and personality. The numerals and punctuation share the same squared, engineered language, helping the design maintain a consistent, poster-forward texture in running text.