Sans Normal Vebuz 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Seconda Soft' by Durotype, 'Malva' by Harbor Type, and 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: ui text, branding, packaging, advertising, headlines, modern, friendly, casual, clean, airy, approachability, motion, clarity, modernization, rounded, oblique, open apertures, single-storey, soft terminals.
This typeface is a slanted sans with rounded, gently tapered stroke endings and an overall smooth, low-friction curve language. Curves are broadly elliptical with open counters and apertures, giving letters like c, e, and s a clear, breathable interior. The lowercase leans toward informal simplicity, with a single-storey a and g, a compact, rounded e, and a short-armed r that keeps words flowing. Uppercase forms stay straightforward and geometric, while diagonals (K, V, W, X, Y) show consistent angle and stroke behavior. Numerals are similarly rounded and stable, with simple, legible shapes that align well with the lowercase rhythm.
It performs well for interface copy, product branding, and marketing collateral where a clean sans voice benefits from a warmer, more dynamic slant. The open forms and smooth curves also make it a solid option for short-to-medium editorial blurbs, captions, and punchy headlines that need clarity with a casual edge.
The slant and soft rounding create a personable, contemporary tone—more approachable than corporate, but still tidy and controlled. It reads as energetic and conversational, suited to messaging that wants to feel light, friendly, and modern without becoming playful or decorative.
The design appears intended to deliver a modern sans with an inherent forward motion and friendly softness, balancing clarity with a more human, conversational texture. Its rounded terminals and simplified lowercase aim for quick recognition and easy reading while keeping the overall impression contemporary.
Spacing appears moderately open, supporting readability in continuous text, and the italic angle feels integrated rather than like an afterthought. The design maintains consistent curvature and terminal treatment across letters, which helps longer passages feel even and cohesive.