Sans Faceted Abras 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Ft Thyson' by Fateh.Lab, 'Gainsborough' by Fenotype, 'Flintstock' by Hustle Supply Co, 'Octin College' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, team uniforms, packaging, industrial, athletic, assertive, retro, technical, impact, geometric rigidity, signage clarity, sportiness, retro flavor, blocky, angular, faceted, chamfered, compact.
A heavy, block-built sans with crisp faceted cuts that replace curves with straight segments and chamfered corners. Strokes are broadly even, with sturdy verticals and squared terminals that create a tight, mechanical rhythm. Counters are relatively small and geometric, and many rounded letters (O, C, G, S) resolve into polygonal forms. The lowercase follows the same rigid construction, with a single-storey a and g, a tall, simple i/j, and wide, angular joins in letters like m and w.
Best suited to short, high-impact settings such as headlines, posters, event graphics, sports branding, and apparel/jersey-style numbering. It also fits packaging, labels, and UI moments where a tough, geometric voice is desired. For extended text, larger sizes and generous spacing help preserve clarity.
The overall tone is bold and no-nonsense, evoking athletic numbering, industrial labeling, and retro arcade or scoreboard aesthetics. Its sharp geometry feels engineered and purposeful, with an energetic, hard-edged presence that reads as confident and attention-seeking.
This design appears intended to translate a geometric, cut-from-solid aesthetic into a coherent alphabet that stays legible while emphasizing sharp planes over curves. The consistent chamfers and robust proportions suggest a focus on strong presence, reproducible shapes, and a distinctive, sporty-industrial personality.
The faceting introduces distinctive notches and clipped corners that help differentiate shapes at display sizes, while the tight apertures and dense counters can make long passages feel dark. Numerals are similarly polygonal and sturdy, lending a uniform, sign-like consistency across letters and figures.