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Sans Faceted Asho 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Refinery' by Kimmy Design, 'Hemispheres' by Runsell Type, 'Radley' by Variatype, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: sports branding, posters, headlines, apparel, packaging, athletic, industrial, tactical, retro, impact, ruggedness, machined look, team lettering, angular, chiseled, blocky, faceted, octagonal.


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A heavy, block-built sans with planar, chamfered corners that replace curves with crisp facets. Strokes are uniform and dense, with squared terminals and tight, mostly rectangular counters that echo an octagonal construction. The overall silhouette is compact and sturdy, with a strong vertical stance and minimal modulation; round letters such as O and Q read as beveled polygons, and diagonal forms keep a hard, machined edge. Spacing and fit feel headline-oriented, producing an emphatic rhythm and dark, even texture in text.

Best suited to display settings where bold presence and geometric bite are assets: sports branding, team identifiers, posters, apparel graphics, and packaging with a rugged or technical theme. It can also work for short UI labels or signage when a compact, hard-edged look is desired, especially at larger sizes where the faceting reads clearly.

The faceted geometry and slabby weight give the font a tough, no-nonsense voice that reads as athletic and industrial. Its sharp corners and stencil-like ruggedness suggest equipment markings, team uniforms, and high-impact signage rather than delicate editorial tone.

The letterforms appear designed to translate a classic block sans into a faceted, beveled system—prioritizing impact, durability, and a machined aesthetic over softness or calligraphic nuance. The consistent chamfering suggests an intention to evoke cut, stamped, or industrially fabricated lettering.

The design language is consistent across caps, lowercase, and numerals, with repeated chamfers creating a cohesive ‘cut metal’ feel. Openings and counters stay relatively tight, which boosts impact at larger sizes and contributes to a dense, authoritative color when set in lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸