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Free for Commercial Use

Sans Superellipse Udmay 8 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Art Topic JNL' and 'Pen Nib Square JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, sports branding, posters, logos, packaging, sporty, techy, futuristic, assertive, speedy, impact, speed, modernity, branding, display, rounded corners, oblique, condensed, blocky, stencil-like.


Free for commercial use
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A heavy, forward-leaning sans with compact proportions and a strong sense of motion. Letterforms are built from rounded-rectangle geometry with softened corners and broadly uniform stroke thickness, producing a dense, ink-trap-free silhouette. Counters tend to be squared-off and narrow, and many joins resolve into smooth curves rather than sharp angles, giving the design a streamlined, machined feel. The overall rhythm is tight and verticals read as sturdy pillars, while terminals are clean and often flat-cut, reinforcing a crisp, engineered look.

Best suited for short, high-impact settings such as headlines, sports or motorsport-style branding, event posters, product packaging, and logo wordmarks. It also fits UI moments that call for a bold, techno display accent—labels, feature callouts, or splash screens—where its compact, forward-leaning shapes read as intentional style rather than body-text neutrality.

The tone is energetic and performance-driven, evoking speed, athletic branding, and futuristic interfaces. Its bold presence and oblique stance feel confident and slightly aggressive, suited to messaging that wants to look fast, strong, and contemporary.

The font appears designed to deliver a fast, modern display voice by combining condensed proportions, an oblique stance, and rounded-rectangle construction. The goal seems to be maximum impact and recognizability, with sturdy monoline strokes and simplified details that reproduce cleanly in branding and signage contexts.

The design maintains high consistency across uppercase, lowercase, and numerals, with the same rounded-rectilinear logic applied throughout. Compact apertures and dense counters create a punchy texture; spacing may benefit from generous tracking in longer lines to keep text from feeling overly packed at smaller sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸