Sans Superellipse Iplo 3 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Local Radio JNL' by Jeff Levine and 'Loft' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming, logos, sporty, aggressive, energetic, confident, modern, impact, speed, branding, display, modernity, oblique, rounded corners, blocky, compressed apertures, slanted terminals.
A heavy, oblique sans with broad, block-like letterforms built from rounded-rectangle geometry. Strokes are thick and consistent, with softened corners and subtly squared counters that keep the forms compact and punchy. The slant is uniform and mechanical rather than calligraphic, and many terminals are sharply cut on an angle, producing a forward-leaning rhythm. Counters are relatively tight (notably in bowls and numerals), giving the font a dense, high-impact texture that holds together well in short bursts.
Best suited to display applications where impact and motion are desired: headlines, posters, sports or esports identities, game UI titling, packaging callouts, and short brand marks. It can work in subheads or short blocks when spacing is opened up, but it is most effective as a bold, attention-grabbing voice rather than for continuous reading.
The overall tone is fast, forceful, and contemporary—like motion graphics, motorsport branding, or high-energy headlines. Its forward lean and hard-cut joins suggest speed and urgency, while the rounded-rectangle construction keeps it feeling engineered and modern rather than rough or retro.
The design appears intended to deliver a speed-driven, engineered aesthetic through oblique construction, dense silhouettes, and rounded-rectangle forms. It prioritizes immediacy and presence, creating a cohesive, high-impact look that remains clean and systematic.
Uppercase shapes read particularly stable and logo-friendly, while the lowercase maintains the same angular, athletic stance. Numerals follow the same compact, squared-counter logic, helping mixed alphanumeric strings look cohesive. In longer text the dense spacing and tight apertures can feel intense, so it reads best when given room via tracking and line spacing.