Sans Superellipse Dyfo 12 is a regular weight, very wide, low contrast, upright, normal x-height, monospaced font.
Keywords: ui labels, tech branding, game ui, posters, signage, futuristic, technical, retro, industrial, digital, tech aesthetic, grid consistency, display clarity, modular construction, rounded corners, squared forms, geometric, modular, stencil-like.
This typeface is built from rounded-rectangle geometry with consistently softened corners and largely uniform stroke widths. Curves are squarish and superelliptical rather than circular, producing boxy bowls in characters like O, Q, and 0. Terminals tend to be flat and squared-off, with occasional open apertures and cut-ins that create a subtly modular, engineered feel. The overall rhythm is steady and grid-friendly, with wide letterforms and generous internal counters that keep shapes clear despite the heavy, graphic construction.
It works well where a strong, grid-aligned sans is needed: interface labels, dashboards, and device-like readouts, as well as tech-forward branding and game UI. The bold, geometric presence also suits short headlines, posters, and wayfinding-style signage where a distinctive, engineered voice is desired.
The tone feels futuristic and utilitarian, with a strong digital/industrial character reminiscent of sci‑fi interfaces and hardware labeling. Its rounded-square skeleton adds a friendly softness to an otherwise technical, machine-made aesthetic, giving it a distinctive retro-tech vibe.
The design appears intended to translate a rounded-rectangle, modular construction into a practical text face that stays highly consistent across a full alphanumeric set. It prioritizes a cohesive techno aesthetic and clear blocky silhouettes that feel at home in digital and industrial contexts.
Several glyphs emphasize structural clarity through simplified joins and geometric cutouts, which can read slightly stencil-like in places. The numeric set matches the same rounded-rect logic, and the overall texture stays consistent across caps, lowercase, and figures.