Sans Superellipse Vanid 11 is a regular weight, very wide, monoline, upright, tall x-height font.
Keywords: ui design, tech branding, product labels, signage, headlines, futuristic, tech, clean, geometric, streamlined, geometric system, interface clarity, modern branding, sci‑fi flavor, rounded corners, square-rounded, modular, wide tracking, high legibility.
This typeface is built from rounded-rectangle geometry, with squared-off curves and softened corners throughout. Strokes are consistently even, producing a clean, monoline rhythm with minimal contrast. Counters tend to be boxy and open, and terminals are predominantly flat or gently radiused, giving letters a precise, engineered feel. The proportions run expansive and horizontal, with generous aperture shapes and a stable baseline presence; numerals and capitals follow the same superelliptical construction for a cohesive system.
It suits interface typography, dashboards, and device or software branding where clean geometry and clear differentiation are needed. The wide, open construction also works well for signage and headlines, particularly in modern or tech-oriented layouts. For longer text, it will be most comfortable at moderate sizes with attentive spacing.
The overall tone feels modern and technological, with a subtle sci‑fi or industrial interface character. Its rounded-square forms read as friendly enough for contemporary branding, yet still crisp and instrument-like for UI and product contexts. The wide stance and uniform stroke lend it a calm, confident, forward-looking voice.
The design appears intended to translate rounded-rectangle geometry into a practical sans, balancing a distinctive modular look with readable letterforms. Its consistent stroke and squared curves suggest a focus on systems design—useful across logos, UI components, and display typography while maintaining a unified visual language.
Distinctive rounded-rectangular bowls and counters create a recognizable silhouette at both headline and display sizes. The punctuation and simple shapes in the sample text keep the same squared-round logic, supporting a consistent texture in paragraphs while remaining most striking in larger settings.