Sans Other Myriy 5 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Hyper Fatos' by Bisou, 'Outdoor Cafe JNL' and 'Silent Comedy JNL' by Jeff Levine, 'Stallman Round' by Par Défaut, and 'Goodland' by Swell Type (names referenced only for comparison).
Keywords: sports branding, posters, headlines, game ui, logotypes, sporty, energetic, aggressive, retro, comic, impact, speed, power, branding, display, slanted, blocky, chunky, rounded corners, ink traps.
A heavy, right-slanted sans with compact counters, softened corners, and a distinctly carved, angular construction. Strokes are broadly uniform and squared-off, with small triangular notches and cut-ins that create a chiseled, speed-oriented rhythm. Uppercase forms are wide-shouldered and tightly enclosed (notably in B, R, P), while lowercase is sturdy and simplified with single-storey shapes and short terminals. Numerals follow the same blocky logic, keeping tight apertures and strong, geometric silhouettes for high-impact setting.
Best suited to short, high-impact text such as sports identities, event posters, packaging callouts, and attention-grabbing headlines. It can also work for game UI labels or streamer-style overlays where bold, slanted lettering helps convey motion and intensity; avoid long passages where the dense counters could reduce comfort.
The overall tone is loud, fast, and competitive, evoking motorsport graphics, arcade-era display lettering, and punchy action titling. Its slant and sharp cut-ins add urgency and a slightly rebellious edge, while the rounded corners keep it approachable rather than harsh.
The design appears intended as a display sans that prioritizes impact and speed, using a consistent rightward slant and chiseled cut-ins to suggest motion and toughness. The simplified, block-driven forms aim for strong silhouettes that hold up in branding and large-format applications.
Spacing and internal whitespace are intentionally compressed, making the face read as dense and powerful. The small notches and beveled joins contribute a distinctive texture in words, especially at larger sizes where the carved details become part of the personality.