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Sans Superellipse Hulah 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Memesique' by Egor Stremousov, 'Akkordeon' by Emtype Foundry, 'Tusker Grotesk' by Lewis McGuffie Type, 'Cimo' by Monotype, 'Beni' by Nois, 'RBNo2.1' by René Bieder, and 'Mind The Caps' by Shaped Fonts (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, industrial, posterish, assertive, sporty, retro, maximum impact, space saving, brand presence, labeling clarity, condensed, blocky, rounded corners, compact, sturdy.


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A compact, heavy sans with condensed proportions and rounded-rectangle construction throughout. Strokes are thick and uniform, with softened corners and broad, squared terminals that keep counters tight and shapes dense. The uppercase is tall and monolithic, while the lowercase follows the same blocky logic with simplified bowls and minimal detailing; punctuation and numerals match the same sturdy, stacked rhythm. Overall spacing reads tight and efficient, producing a strong, uninterrupted texture in lines of text.

Best suited to short, high-impact settings such as headlines, posters, apparel graphics, logos, packaging callouts, and signage where dense color and compact width are advantages. It can work for brief subheads or labels, but the tight counters and heavy texture make extended text less comfortable, especially at small sizes.

The tone is loud, forceful, and functional—more like labeling, headlines, and team graphics than quiet reading. Its rounded block geometry adds a friendly, toy-like edge to an otherwise tough, industrial voice, evoking retro poster and sports branding energy.

The design appears intended to maximize visual weight and presence in a narrow footprint, using rounded-rectangular forms to keep the feel approachable while staying bold and utilitarian. It prioritizes consistent geometry and punchy texture for display typography and branding.

Several letters show intentionally squared-in apertures and compressed counters, which increases impact but can reduce differentiation at smaller sizes. The design’s consistent corner rounding and uniform stroke weight create a cohesive, stamped look across both cases and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸