Sans Superellipse Imgud 5 is a very bold, very wide, medium contrast, italic, normal x-height font.
Keywords: sports branding, racing graphics, posters, headlines, logos, sporty, futuristic, dynamic, aggressive, techy, impact, speed, modernity, branding, legibility, rounded corners, blocky, tightly spaced, high impact, aerodynamic.
A heavy, forward-slanted sans with compact, rounded-rectangle construction and broad, squared counters. Strokes are thick and mostly monolinear with gently softened corners, creating a superelliptical, machined look rather than a geometric circle-based one. Terminals are clean and often horizontally cut, while many letters show subtle ink-trap-like notches and internal cut-ins that sharpen joins and improve separation at this weight. The rhythm is wide and assertive with short ascenders/descenders and a sturdy baseline footprint; numerals mirror the same rounded, blocky logic for a cohesive set.
Best suited to display typography where impact and motion are desired: sports identities, racing and automotive graphics, event posters, esports and streaming overlays, and bold product branding. It can also work for short UI labels or tech-forward packaging when set large enough to preserve counter clarity.
The overall tone is fast, forceful, and contemporary—evoking motorsport branding, sci-fi interfaces, and performance gear. Its forward lean and dense black shapes give it a sense of speed and urgency, while the rounded corners keep it polished and engineered rather than brutal.
This font appears designed to deliver maximum impact with a streamlined, aerodynamic voice—combining rounded-rectangle forms with assertive slant and carved joins to stay legible under heavy weight. The consistent superelliptical geometry suggests an intention to feel engineered and modern, optimized for branding and high-energy display settings.
The design relies on strong silhouettes and simplified apertures, so small sizes may compress interior spaces, but at display sizes the distinctive cut-ins and rounded-rect geometry read clearly. The italic angle and broad stance create a pronounced horizontal flow that works well for short, punchy lines.