Sans Superellipse Imlus 1 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Bejita' by Twinletter (names referenced only for comparison).
Keywords: sports branding, racing graphics, posters, headlines, gaming ui, sporty, techy, assertive, futuristic, energetic, impact, speed, modernity, branding, slanted, oblique, extended, rounded corners, squared curves.
A heavy, slanted sans with extended proportions and compact counters, built from rounded-rectangle geometry that keeps curves taut and corners softened. Strokes are broad and consistent, with clean cut terminals and a forward-leaning rhythm that emphasizes motion. Round letters like O and Q read as superelliptical (squared-off rounds), while diagonals and joins stay crisp, giving the design a tight, engineered silhouette. Numerals are similarly wide and sturdy, matching the letterforms’ low-friction, high-impact shapes.
Best suited to display applications where impact and speed are desired: sports identities, motorsport or athletic apparel graphics, bold poster headlines, and tech-leaning branding. It can also work for short UI labels in gaming or product interfaces when set with adequate spacing, but it’s primarily optimized for attention-grabbing titles rather than long text.
The overall tone is fast, punchy, and contemporary—closer to racing graphics and performance branding than editorial typography. Its slant and wide stance project momentum and confidence, with a subtly futuristic feel driven by the rounded-square forms.
The design appears intended to deliver a high-performance, modern voice using superelliptical round forms, wide proportions, and a pronounced forward slant. The goal seems to be maximum visual punch with a streamlined, aerodynamic character that stays consistent across letters and numerals.
The wide set and strong weight make word shapes highly distinctive at display sizes, while the compact apertures and dense interior space suggest it will feel most comfortable with generous tracking and breathing room. The baseline alignment and consistent curvature across caps, lowercase, and figures reinforce a cohesive, system-like design language.