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Free for Commercial Use

Sans Superellipse Imkor 16 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Bunken Tech Sans Wide' by Buntype, 'Gltp Starion' by Glowtype, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: sports branding, racing graphics, headlines, posters, app ui, sporty, techy, aggressive, futuristic, confident, impact, speed, branding, modernity, power, slanted, rounded, squared, compact, blocky.


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This typeface is a heavy, right-slanted sans with broad, squared counters and prominently rounded corners, giving many forms a rounded-rectangle (superellipse) construction. Strokes are uniform and dense, with diagonals and joins cut cleanly and consistently, producing crisp silhouettes even at large sizes. Uppercase shapes lean toward wide, compact blocks (notably in C, G, O, Q, and S), while lowercase maintains a sturdy, simplified structure with single-storey forms and minimal detailing. Numerals follow the same engineered rhythm, with flat terminals and rounded interior corners that reinforce the geometric system.

It suits high-impact display settings such as sports identities, racing/event graphics, bold poster headlines, and assertive product packaging. It can also work for short UI labels or title treatments where a strong, forward-leaning voice is desired, but it is less suited to extended reading at small sizes due to its dense, compact forms.

The overall tone is fast and performance-oriented, evoking motorsport, athletics, and industrial tech. The slant and sharp cut-ins add urgency and impact, while the rounded-square geometry keeps it controlled and modern rather than chaotic.

The design appears intended to deliver maximum visual momentum and power through a consistent slant, wide-set proportions, and rounded-rectangle construction. Its simplified, geometric letterforms and sturdy numerals suggest a focus on brandmarks and large-format messaging where speed and strength are key.

Several letters use distinctive cutaways and sheared terminals that increase forward motion, and the counters tend to be squarish rather than circular, emphasizing a manufactured, machined feel. The design reads best when given room—its dense weight and broad stance create strong word shapes that can dominate a layout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸