Sans Faceted Buby 10 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Midfield' by Kreuk Type Foundry, 'Sicret' by Mans Greback, and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, athletic, retro, arcade, mechanical, impact, ruggedness, signage, retro-tech, geometric consistency, octagonal, chamfered, angular, compact, high-contrast (shape).
A heavy, blocky sans with faceted, chamfered corners that replace curves with straight segments, creating an octagonal silhouette across most glyphs. Strokes are consistently thick with mostly uniform terminals, and counters tend to be small and rectangular, giving the design a dense, punchy texture. Uppercase forms are wide and sturdy with squared shoulders, while lowercase echoes the same geometry with simplified bowls and apertures; the overall rhythm is compact and strongly modular. Numerals follow the same cut-corner logic and read like stenciled blocks, keeping the set visually coherent in all-caps and mixed-case settings.
Best suited to headlines, posters, and logo marks where its faceted geometry can read clearly and provide a strong silhouette. It also works well for sports branding, event titles, packaging callouts, and UI/game-style titles that benefit from a tough, industrial tone.
The sharp facets and compact massing evoke signage, sports lettering, and game-era display typography. It feels bold, rugged, and utilitarian, with a slightly playful retro-tech edge when set large in short phrases.
The design appears intended to translate traditional block lettering into a crisp, planed form, emphasizing impact and a distinctive cut-corner identity over softness or neutrality. It prioritizes strong shapes, consistent geometry, and immediate attention for display typography.
The angular cuts are applied consistently to outer corners and many inner joins, producing a chiseled look that stays legible but intentionally reduces softness. Because counters are tight and joins are thick, it delivers maximum impact at display sizes and can feel crowded if set too small or too tightly tracked.