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Free for Commercial Use

Sans Superellipse Nulut 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Kensmark' by BoxTube Labs, 'Magnitudes' by DuoType, 'Manufaktur' by Great Scott, 'Midfield' by Kreuk Type Foundry, 'Stallman Round' by Par Défaut, and 'Huberica' by The Native Saint Club (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, industrial, retro, assertive, mechanical, impact, motion, cohesion, durability, rounded corners, squared curves, slanted, compact, blocky.


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A heavy, slanted sans with broad strokes and softened, rounded-rectangle geometry throughout. Curves tend to resolve into squared bowls and superelliptical counters, giving letters a machined, cut-from-rubber look rather than a purely geometric circle-based construction. Terminals are generally flat and weight distribution stays even, creating a dense, compact texture in text. The rhythm is sturdy and slightly condensed in feel, with tight interior spaces and distinct, squared-off apertures that keep forms stable at display sizes.

Best suited for large-scale uses where impact is the priority: headlines, posters, logos, team or event branding, and packaging. It can also work for short UI labels or badges where a bold, athletic voice is desired, but extended passages will appear dense and are better kept to brief bursts of text.

The overall tone is forceful and energetic, with a sporty, industrial flavor. Its rounded corners temper the aggression of the weight, while the slant and blocky shapes add a sense of motion and urgency. The result feels retro-modern—evoking athletic branding, arcade-era graphics, and bold product labeling.

The design appears intended to deliver maximum punch with a streamlined, rounded-rect form language—combining the authority of a heavy grotesque with softened corners for approachability. The consistent superelliptical shaping suggests a focus on cohesive, emblematic letterforms that reproduce well in bold branding contexts.

The uppercase reads particularly strong and emblematic, with consistent corner radii and counters that resemble rounded cutouts. Numerals follow the same squared-curve logic, producing a cohesive, sign-like set. In longer lines, the dark color builds quickly, so spacing and size choices will strongly affect clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸