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Free for Commercial Use

Serif Other Umli 8 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Pierce Jameson' by Grezline Studio, 'British Vehicle JNL' and 'School Activities JNL' by Jeff Levine, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, album covers, gothic, heraldic, vintage, assertive, dramatic, historic flavor, display impact, emblematic branding, dramatic titling, blackletter-influenced, sharp, angular, beveled, ink-trap-like.


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A heavy, decorative serif with blackletter-influenced structure and carved, angular terminals. Strokes are strongly vertical with abrupt joins and wedge-like serifs that create a chiseled, engraved feel; many corners are notched or cut back, producing an ink-trap-like sparkle in tight areas. Counters are generally compact and geometric, with squared-off bowls and a mix of flat tops and clipped diagonals. The lowercase is sturdy and blocky with a relatively compact rhythm, while numerals and capitals read as monolithic, sign-like forms with pronounced top and bottom finishing strokes.

This face performs best in display contexts such as posters, headlines, mastheads, and branding marks where its carved details can be appreciated. It also suits packaging and entertainment-oriented graphics that benefit from a historic or gothic voice; for longer text, it is more effective as a short-run accent than as body copy.

The overall tone is medieval and ceremonial, evoking coats of arms, old-world craftsmanship, and dramatic title lettering. Its sharp cuts and dense color give it an authoritative, slightly aggressive presence suited to bold statements rather than quiet reading.

The letterforms appear intended to blend traditional serif construction with blackletter cues, creating a bold, emblematic display style that feels engraved and historic. The notches and clipped corners suggest a deliberate effort to keep counters open and add visual bite at large sizes.

The design emphasizes straight-sided geometry over curves, with frequent chamfers and interior cut-ins that add texture at display sizes. Spacing appears built for impact, and the heavy silhouettes maintain legibility through strong, simplified forms despite the decorative detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸