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Free for Commercial Use

Serif Other Ummo 9 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: headlines, posters, logos, sports branding, packaging, gothic, collegiate, vintage, authoritative, rugged, impact, heritage, signage, institutional, badge-like, blackletter-tinged, beveled, chamfered, angular, ink-trap-like.


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A heavy, display-oriented serif with squared construction and prominent chamfered corners that give many strokes an octagonal, beveled silhouette. Stems and horizontals keep a consistent thickness while terminals resolve into small wedge-like serif cuts and notches, producing a crisp, carved rhythm. Counters are compact and mostly rectangular, and joins often form stepped interior angles that read almost like subtle ink-traps. Overall spacing is firm and blocky, with a strong vertical stance and tight internal shapes that emphasize solidity over delicacy.

Best used for short, high-impact text such as headlines, posters, team or school branding, album/label marks, and bold packaging accents. It also works well for badges, signage-style lockups, and masthead treatments where a strong, traditional voice is desired. For longer passages, it’s likely most effective as a display companion rather than a primary text face.

The tone is bold and institutional, mixing collegiate signage energy with a blackletter-adjacent severity. It feels historic and ceremonial rather than friendly, evoking uniforms, plaques, mastheads, and stamped marks. The sharp corners and faceted cuts add a rugged, workmanlike edge that reads confident and commanding.

The design appears intended to deliver a sturdy, old-world display presence through blocky proportions, beveled corners, and assertive serif cuts. Its consistent stroke weight and faceted detailing suggest a goal of looking stamped, carved, or sign-painted—optimized for impact, identity, and heritage-leaning graphic systems.

The lowercase retains the same angular, notched vocabulary as the capitals, helping maintain consistency in mixed-case settings. Figures are equally blocky and geometric, suited to large-size callouts where the beveled corners and cut-in details can be appreciated. At smaller sizes the tight counters and interior notches may visually fill in, so generous sizing and contrast against the background will help preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸