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Free for Commercial Use

Serif Other Ummo 9 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: headlines, posters, logos, sports branding, packaging, gothic, collegiate, vintage, authoritative, rugged, impact, heritage, signage, institutional, badge-like, blackletter-tinged, beveled, chamfered, angular, ink-trap-like.


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A heavy, display-oriented serif with squared construction and prominent chamfered corners that give many strokes an octagonal, beveled silhouette. Stems and horizontals keep a consistent thickness while terminals resolve into small wedge-like serif cuts and notches, producing a crisp, carved rhythm. Counters are compact and mostly rectangular, and joins often form stepped interior angles that read almost like subtle ink-traps. Overall spacing is firm and blocky, with a strong vertical stance and tight internal shapes that emphasize solidity over delicacy.

Best used for short, high-impact text such as headlines, posters, team or school branding, album/label marks, and bold packaging accents. It also works well for badges, signage-style lockups, and masthead treatments where a strong, traditional voice is desired. For longer passages, it’s likely most effective as a display companion rather than a primary text face.

The tone is bold and institutional, mixing collegiate signage energy with a blackletter-adjacent severity. It feels historic and ceremonial rather than friendly, evoking uniforms, plaques, mastheads, and stamped marks. The sharp corners and faceted cuts add a rugged, workmanlike edge that reads confident and commanding.

The design appears intended to deliver a sturdy, old-world display presence through blocky proportions, beveled corners, and assertive serif cuts. Its consistent stroke weight and faceted detailing suggest a goal of looking stamped, carved, or sign-painted—optimized for impact, identity, and heritage-leaning graphic systems.

The lowercase retains the same angular, notched vocabulary as the capitals, helping maintain consistency in mixed-case settings. Figures are equally blocky and geometric, suited to large-size callouts where the beveled corners and cut-in details can be appreciated. At smaller sizes the tight counters and interior notches may visually fill in, so generous sizing and contrast against the background will help preserve clarity.

120px
108px
96px
84px
72px
64px
56px
48px
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Letter — Basic Uppercase Latin
A
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Letter — Basic Lowercase Latin
a
b
c
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f
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h
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j
k
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p
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Number — Decimal Digit
0
1
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Letter — Extended Uppercase Latin
À
Á
Â
Ã
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Å
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Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
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Ö
Ø
Ù
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Ý
Ć
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Ľ
Ł
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Ő
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Ű
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Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
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ù
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ý
ÿ
ć
č
đ
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ę
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ğ
į
ı
ľ
ł
ń
ő
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ś
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š
ū
ű
ų
ŵ
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Letter — Superscript Latin
ª
º
Number — Superscript
¹
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Number — Fraction
½
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Punctuation
!
#
*
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.
/
:
;
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\
¡
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¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
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[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
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©
®
°
Symbol — Currency
$
¢
£
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¥
Symbol — Math
%
+
<
=
>
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¬
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^
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Diacritics
`
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¯
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¸