Sans Superellipse Oslaj 11 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Molde' by Letritas; 'Neue Helvetica', 'Neue Helvetica Paneuropean', and 'Shilia' by Linotype; and 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, punchy, utilitarian, impact, clarity, modernity, approachability, rounded, compact, blocky, clean, sturdy.
A heavy, compact sans with rounded-rectangle construction and broadly curved corners throughout. Strokes are thick and even, with relatively closed counters and tight apertures that emphasize solid mass over delicacy. Curves read as superelliptical rather than perfectly circular, and terminals are blunt and squared-off with softened edges, producing a sturdy, poster-like rhythm. The lowercase is simple and robust, with a single-storey a and g and short, strong joins that keep letterforms dense and highly uniform at display sizes.
Best suited to headlines, posters, and branding where strong silhouette and high impact are priorities. It can work well for signage and packaging that benefit from a compact, sturdy voice, and for short UI labels or badges when set with adequate size and breathing room.
The overall tone is bold and matter-of-fact, projecting confidence and clarity while the softened corners add approachability. It feels contemporary and functional, with a slightly industrial, signage-like presence that stays friendly rather than aggressive.
The design appears intended to deliver maximum visual weight with a soft-edged, geometric structure, balancing assertive presence with approachable rounding. Its consistent, superelliptical forms suggest a focus on bold display typography that remains clean and contemporary.
Spacing in the sample text looks intentionally tight for impact, and the dense counters mean readability improves with generous size and line spacing. Numerals and capitals carry the same squared-round geometry, reinforcing a consistent, modular texture across mixed-case settings.