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Sans Normal Ordop 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Benton Sans', 'Benton Sans Pro', and 'Benton Sans Std' by Font Bureau; 'Franklin Gothic', 'ITC Franklin', and 'ITC Franklin Gothic LT' by ITC; 'Latino Gothic' by Latinotype; and 'Franklin Gothic' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, friendly, loud, modern, utilitarian, impact, clarity, modernity, simplicity, brand presence, geometric, blocky, rounded, high impact, compact.


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A heavy, geometric sans with broad, rounded bowls and mostly monolinear strokes. Curves are built from clean circular/elliptical forms, paired with straight-sided stems and flat terminals, creating a solid, poster-ready texture. Counters are relatively tight and apertures are modest, which increases density at text sizes but reads clearly at display sizes. The lowercase shows simple, sturdy constructions with short ascenders/descenders and a consistent, even rhythm across letters and numerals.

Best suited to large-scale applications such as headlines, posters, and brand marks where its dense weight and geometric clarity can shine. It also works well for signage and packaging that need quick recognition and a modern, no-nonsense voice. For long-form text, its tight counters and heavy color suggest using larger sizes or generous leading for comfort.

The overall tone is bold and straightforward, with a friendly geometric warmth rather than sharp aggression. Its mass and compact counters make it feel emphatic and attention-grabbing, suited to statements and headlines where clarity and impact matter more than delicacy.

Likely designed as an impactful geometric sans that delivers maximum presence with minimal stylistic noise. The consistent stroke weight and rounded geometry suggest an aim for clean reproducibility across print and screen while maintaining a friendly, contemporary tone.

Numerals appear similarly weighty and stable, matching the letterforms for consistent color in mixed alphanumeric settings. The sample text shows strong line presence and a uniform typographic color, with spacing that favors solidity over airiness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸