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Distressed Jeno 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Autovia' by Santi Rey, and 'Fenomen Sans' by Signature Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, merchandise, rugged, playful, vintage, grungy, handmade, worn print, handmade feel, retro impact, tactile texture, rough-cut, blotchy, inked, chunky, poster-like.


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A compact, heavy display face with chunky strokes and noticeably irregular, distressed contours. Edges look chewed and torn, as if stamped or printed from a worn block, creating a lively texture along stems, bowls, and terminals. Counters are small and uneven, and the overall rhythm is slightly bouncy due to varied sidebearings and subtly inconsistent widths. Lowercase forms are sturdy and simple, while capitals keep a blocky silhouette with softened, organic corners rather than crisp geometry.

Best suited for posters, headlines, and short statements where texture and attitude are desirable. It can add an analog, worn-print flavor to packaging, label-style branding, event graphics, and merchandise. For longer passages, it works more reliably as a punchy accent paired with a cleaner companion typeface.

The font projects a rugged, handmade energy that feels informal and attention-grabbing. Its worn texture suggests age, grit, and analog printing, while the rounded, blobby shapes keep the tone friendly rather than aggressive. Overall it reads as quirky, retro, and tactile.

The design appears intended to mimic distressed letterpress or rubber-stamp lettering—bold, compact, and intentionally imperfect. Its irregular outline and dark color create instant impact while conveying a handcrafted, vintage-leaning aesthetic.

The distressed detail is strong enough to become a primary visual feature, especially at larger sizes, where the rough perimeter reads like ink spread and abrasion. At smaller sizes the tight counters and heavy mass can cause letters like B/R/P and a/e to visually merge, so generous sizing and spacing helps preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸