Sans Superellipse Hidim 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'NT Gagarin' by Novo Typo, 'Hemispheres' by Runsell Type, 'Gemsbuck Pro' by Studio Fat Cat, 'Radley' by Variatype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, sporty, techy, confident, impactful, high impact, modern geometry, sturdy clarity, display emphasis, squarish, rounded corners, compact, blocky, geometric.
A heavy, squarish sans with rounded-rectangle construction and consistently softened corners. Strokes are uniformly thick with minimal modulation, producing dense, compact counters and a strong, poster-like color on the page. Curves tend to resolve into superellipse bowls and pill-shaped terminals, while joins stay crisp and rectilinear. Numerals and capitals feel especially sturdy and architectural, with a generally tight, efficient silhouette and clear, no-nonsense spacing.
This style performs best in short, high-impact settings such as headlines, posters, athletic or industrial branding, storefront and wayfinding signage, and bold packaging. It can also work for UI labels or dashboard-style graphics when a sturdy, geometric voice is needed and sizes are large enough to preserve interior clarity.
The overall tone is bold and assertive, with a contemporary industrial feel. Its rounded corners keep it friendly enough to avoid harshness, but the mass and geometry still read as tough, sporty, and tech-forward. The texture is attention-grabbing and designed to project confidence at a glance.
The design appears intended to deliver maximum punch with a controlled, geometric system—combining rounded-rectangle forms with heavy strokes for a modern, durable look. It prioritizes visual authority and quick recognition, trading delicate detail for solidity and consistent, engineered shapes.
Round letters (like O, Q, and 0/8/9) lean toward rounded-square forms rather than true circles, giving the face a distinctive, engineered rhythm. The lowercase maintains the same blocky logic as the uppercase, and the dot on i/j appears square, reinforcing the rectilinear theme.