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Free for Commercial Use

Sans Normal Itgod 1 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Arian', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype and 'Bi Bi' by Naghi Naghachian (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, confident, industrial, athletic, utilitarian, friendly, high impact, clarity, modern utility, approachable strength, rounded, compact, blocky, geometric, clean.


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A heavy, wide sans with broad, squared-off proportions softened by generous rounding at corners and joins. Strokes are consistently thick with smooth curves and minimal modulation, producing a solid, even texture in text. Counters are relatively open for the weight, and terminals tend to end in blunt, horizontal cuts rather than angled or tapered finishes. The overall rhythm is stable and sturdy, with a slightly compressed vertical feel and a strong, block-like silhouette across both uppercase and lowercase.

Best suited for bold headlines, posters, and large-format messaging where its width and weight can deliver instant presence. It also fits well in branding and packaging that want a robust, modern sans with friendly rounding, and works effectively for signage and wayfinding when set with ample space.

The font communicates strength and straightforwardness, with a sporty, industrial tone that feels modern and no-nonsense. Its rounded geometry keeps the voice approachable rather than aggressive, lending a friendly practicality to otherwise assertive letterforms.

The design appears intended to provide a high-impact sans for display typography: wide, sturdy letterforms optimized for strong silhouettes and quick recognition. Its softened geometry suggests a goal of balancing assertiveness with approachability for contemporary commercial and promotional use.

Numerals follow the same wide, sturdy construction and read clearly at display sizes, while the lowercase maintains a simple, workmanlike structure suited to bold messaging. The spacing and massing create high visual impact, especially in short lines and headlines where the wide forms can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸