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Free for Commercial Use

Sans Superellipse Fedif 7 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Broadside' by Device, 'Neusa Neu' by Inhouse Type, 'Monton' by Larin Type Co, 'Brainy Variable Sans' by Maculinc, 'Aago' by Positype, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, app banners, sporty, energetic, modern, confident, dynamic, impact, space saving, speed, branding, oblique, compact, condensed, rounded, geometric.


Free for commercial use
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A compact, right-leaning sans with heavy, uniform strokes and tightly controlled proportions. Letterforms favor superelliptical, rounded-rectangle curves—especially in bowls and counters—paired with crisp, straight terminals and angular joins. The rhythm is dense and forward-slanted, with relatively closed apertures and a sturdy, continuous texture in text. Numerals match the assertive build, staying simple and blocky with consistent stroke weight and minimal detailing.

Best suited to short-to-medium headlines where impact and speed are priorities—sports and fitness branding, promotional posters, packaging callouts, and bold UI/marketing banners. It can work for brief subheads or captions when space is tight, but its dense forms favor display sizes over extended reading.

The overall tone feels fast, assertive, and contemporary, with a sporty, headline-driven energy. Its condensed stance and strong diagonal movement read as confident and purpose-built, suggesting urgency and momentum rather than softness or restraint.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining clean, rounded-geometric forms. Its engineered oblique stance and compact construction suggest a focus on energetic branding and attention-grabbing typographic hierarchy.

Uppercase forms stay broad-shouldered and solid, while lowercase maintains a pragmatic, compact silhouette that keeps lines visually taut. The italic construction is structural rather than calligraphic, emphasizing engineered slant and stability over stroke modulation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸