Sans Normal Jidap 4 is a bold, normal width, medium contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, modern, dynamic, confident, impact, momentum, clarity, modernity, emphasis, slanted, geometric, rounded, clean, compact.
This typeface is a heavy, right-slanted sans with largely geometric construction and smooth, rounded curves. Strokes are full and even with crisp terminals, and the slant is consistent across capitals, lowercase, and figures, giving lines a forward-leaning rhythm. Counters are generally open and circular-to-oval, while joins and diagonals stay clean and direct, producing a compact, high-impact texture in text. The overall feel is orderly and contemporary, with a strong emphasis on solid shapes and clear silhouettes.
This font is well suited to headlines, posters, and branding systems that need strong presence and forward motion. It can work effectively on packaging and promotional materials where a compact, energetic word shape helps with shelf impact. For longer text, it will be most comfortable at larger sizes where the heavy, slanted texture has room to breathe.
The font projects speed and momentum through its pronounced italic angle and dense, confident weight. Its clean geometry keeps the tone contemporary and practical rather than decorative, while the rounded forms add a friendly edge to an otherwise forceful voice. In paragraphs it reads energetic and headline-driven, suited to messaging that wants to feel active and decisive.
The design appears intended to deliver a modern, high-energy sans voice by combining solid, geometric forms with a consistent italic slant. It prioritizes strong silhouettes, clean curves, and an even, impactful typographic color for attention-grabbing communication.
Numerals are robust and highly legible at display sizes, matching the same slanted stance and rounded geometry as the letters. Spacing appears steady and controlled in the sample text, creating a dark, uniform color that favors emphasis over delicacy. The italic construction feels integral (not simply obliqued), with curves and diagonals keeping consistent balance across the set.