Sans Superellipse Uhni 4 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Aguda' by Graviton and 'Obvia Expanded' by Typefolio (names referenced only for comparison).
Keywords: ui design, app branding, headlines, wayfinding, packaging, techy, futuristic, clean, confident, industrial, modernize geometry, system uniformity, tech branding, ui clarity, rounded, squared, geometric, monoline, compact.
A geometric sans built from softened rectangles and superelliptical curves, with monoline strokes and broad, stable proportions. Corners are consistently rounded and terminals are mostly squared-off, giving the outlines a crisp, engineered feel despite the softness. Round letters like O/C/G and numerals like 0/8 read as rounded-rectangle forms; counters are generous and apertures are tidy, supporting clarity at larger sizes. The lowercase keeps simple, near-single-storey constructions (notably a and g) with short, flat joins and minimal calligraphic modulation, reinforcing a systematic rhythm across the set.
This face is well suited to interface typography, product and app branding, and bold headline work where a modern, engineered voice is desired. Its squared-round forms and consistent stroke weight also make it a strong candidate for wayfinding, labeling, and packaging systems that need a clean, repeatable visual rhythm across letters and numbers.
The overall tone feels contemporary and technology-forward—sleek, controlled, and slightly sci‑fi. Its rounded-square geometry reads friendly enough for consumer UI while still projecting an industrial, utilitarian confidence.
The letterforms suggest an intention to merge strict geometric construction with softened corners for approachability, creating a contemporary sans that feels both technical and user-friendly. The superelliptical bowls and squared terminals appear designed to deliver a distinctive, system-like identity while remaining clear in short text and mixed alphanumeric strings.
The design language is highly consistent across caps, lowercase, and figures, with a noticeable preference for straight segments meeting curved corners rather than fully circular bowls. Numerals follow the same rounded-rectangular logic, producing a cohesive, signage-like texture in mixed alphanumeric settings.