Sans Normal Lobiz 3 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart, 'Jarvis' by Alan Smithee Studio, 'Netadyne' by Godbless Studio, 'JT Marnie' by JAM Type Design, 'Adequate' by K-Type, and 'Inovasi' and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, energetic, confident, retro, impact, motion, headline focus, brand presence, rounded, oblique, soft-cornered, punchy, friendly.
A heavy, oblique sans with broad proportions and rounded, softened joins that keep the dense weight from feeling harsh. Curves are generous and circular (notably in O/o and bowls), while terminals tend toward smooth cuts that follow the slant, producing a consistent forward-leaning rhythm. Counters are compact but remain open enough for clarity at display sizes, and the overall texture reads as solid, even, and tightly knit.
Best suited for headlines and short, high-impact text where the bold oblique stance can do the heavy lifting—posters, sports branding, product packaging, and logo wordmarks. It can also work for emphatic subheads or callouts, while long-form body text would likely feel too dense and forceful.
The combination of strong weight and forward slant gives the face a fast, assertive tone that feels athletic and promotional. Rounded forms add approachability, steering the personality toward friendly confidence rather than aggression. Overall it suggests motion, impact, and a slightly retro headline sensibility.
This design appears aimed at delivering immediate impact with a streamlined, rounded sans structure and a strong forward slant. The intent is to create a modern display workhorse for energetic branding—clear, loud, and legible in big sizes while maintaining a friendly, contemporary softness.
The numeral set matches the letters in heft and slant, with simple, sturdy silhouettes designed to hold up in large-scale use. The italic angle is pronounced and consistent across uppercase, lowercase, and figures, which reinforces a cohesive “in-motion” feel.