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Free for Commercial Use

Calligraphic Bija 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Liebelei Pro' by Wannatype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, playful, retro, friendly, whimsical, chunky, expressiveness, warmth, retro appeal, headline impact, handmade feel, soft terminals, rounded corners, ball terminals, teardrop joins, ink-trap hints.


Free for commercial use
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A heavy, soft-edged display face with rounded, slightly squarish bowls and subtly pinched joins that give the silhouettes a carved, inked feel. Strokes are thick and largely uniform, with gentle swelling at curves and small teardrop/ball-like terminals on several letters. Counters are compact but generally open enough to keep forms readable, while the overall rhythm stays upright and steady with mild irregularities that feel hand-shaped rather than strictly geometric. The numerals and capitals echo the same chunky construction, with occasional inward notches and flared endings that add texture at large sizes.

Best suited for display use such as headlines, posters, event graphics, packaging, and brand marks where its chunky forms and terminal details can be appreciated. It also works well for short, playful copy in editorial callouts, children’s or entertainment-oriented designs, and retro-inspired signage.

The tone is warm and humorous, with a vintage, storybook flavor that feels inviting rather than formal. Its exaggerated weight and soft contours communicate charm and personality, suggesting playful signage and expressive headlines.

The design appears intended to combine hand-drawn character with sturdy, high-impact shapes, producing a bold calligraphic display style that remains legible while adding distinctive terminal flair. Its consistent weight and softened corners suggest an emphasis on friendly approachability and strong presence in large-size typography.

Distinctive terminal shaping (including rounded nubs and slight hooks) creates a recognizable texture across words, especially in letters like a, e, f, r, and y. The bold massing and tight inner spaces make it visually assertive, and it benefits from comfortable letterspacing to prevent counters from feeling crowded in dense settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸