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Free for Commercial Use

Sans Normal Tyrud 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Fusion Collection' by Blaze Type, 'Newhouse DT' by DTP Types, 'Helvetica' by Linotype, 'Ava Grand' by Matt Chansky, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, playful, chunky, friendly, handmade, retro, impact, warmth, informality, craft feel, display use, rounded, soft, bouncy, cartoonish, inked.


Free for commercial use
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A heavy, rounded sans with broad proportions and compact internal counters. Strokes are uniform and weighty, with subtly irregular edges that suggest an inked or stamped texture rather than perfectly machined outlines. Curves are generously blunted, terminals are mostly flat-to-soft, and letterforms lean on simple geometric shapes while allowing small asymmetries that create a lively rhythm. Numerals and capitals feel blocky and stable, with tight apertures in letters like E, S, and e contributing to a dense, poster-forward silhouette.

Best suited to short, high-impact typography such as posters, playful branding, packaging, social graphics, and logo wordmarks. It works especially well when you want a friendly, bold presence with a tactile, handmade character, and it can add personality to merchandise or kids-oriented titles.

The overall tone is cheerful and approachable, with a chunky, cartoon-like confidence that reads as casual and fun. The slight roughness and unevenness add a handmade warmth, giving it a retro craft or screen-printed feel rather than a corporate polish.

The design appears intended to deliver maximum visual impact with a warm, informal voice, combining rounded geometric construction with intentionally imperfect edges to avoid a sterile look. It prioritizes personality and punch over fine-detail legibility in small text.

The texture and small edge nicks are most noticeable at larger sizes, where they become part of the personality. The dense counters and tight apertures make it visually strong, but they also reduce clarity at very small sizes or in long blocks of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸