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Free for Commercial Use

Sans Normal Widim 12 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'AG Book W1G' by Berthold, 'Panton Rust' by Fontfabric, 'CF Mod Grotesk' by Fonts.GR, 'NeoGram' by The Northern Block, and 'Franklin Gothic Raw' by Wiescher Design (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, children’s media, playful, chunky, friendly, retro, comedic, bold impact, playful warmth, retro feel, printed texture, rounded, soft corners, blobby, compact, heavyweight.


Free for commercial use
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A very heavy, rounded sans with compact proportions and softened corners throughout. Strokes are thick and consistent, with broad, oval counters and minimal contrast, giving letters a solid, stamped silhouette. Curves are generous and slightly “puffy,” while joins and terminals stay blunt rather than sharp; diagonals (V, W, X, Y) read as sturdy wedges. The texture shows a subtly distressed/ink-worn look in places, suggesting printed or rubber-stamp grit rather than a perfectly clean digital edge.

Best suited for display settings where impact and personality matter: posters, headlines, packaging, playful branding, and kid-focused or entertainment graphics. It can work for short bursts of text at large sizes, but the heavy color and compact forms are most effective in titles, badges, and callouts.

The font projects a cheerful, approachable tone with a bold, cartoonish presence. Its chunky shapes and rounded geometry feel informal and energetic, leaning toward retro display and lighthearted messaging rather than restrained corporate neutrality.

The design appears intended to deliver maximum boldness with a friendly, rounded voice, combining simple geometric construction with a slightly worn print texture for added character. It prioritizes punchy legibility and a fun, retro-leaning attitude in display use.

In paragraph-like samples the weight creates strong visual density, so spacing and line breaks become important for readability. The distressed speckling is visible in many glyphs and contributes to a handcrafted, printed character, especially at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸