Sans Other Ohma 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Tradesman' by Grype (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, arcade, futuristic, modular, display impact, digital aesthetic, geometric modularity, retro-futurism, rectilinear, angular, blocky, octagonal, stencil-like.
A rectilinear, modular sans built from heavy, uniform strokes and squared counters. Corners are predominantly hard with frequent 45° chamfers that create an octagonal silhouette, especially in curves and diagonals. Round letters are rendered as squared forms (e.g., O/Q), and diagonals (K, N, V, W, X, Y) are cut with crisp, geometric joins rather than smooth transitions. Terminals are flat and blunt, spacing reads open for the weight, and overall rhythm is driven by repeated right angles and consistent stroke thickness across the set.
Best suited to display settings where its geometric voice can lead: headlines, posters, title cards, branding marks, and packaging. It also fits UI theming for games, sci‑fi or cyber aesthetics, and technical or industrial graphics where blocky, modular letterforms reinforce the concept. For extended reading, it works more reliably in short bursts and larger sizes.
The design conveys a bold, technical tone with clear references to digital interfaces, arcade graphics, and industrial labeling. Its sharp chamfers and squared geometry feel machine-made and schematic, giving text a commanding, high-impact presence. The overall mood is assertive and modern, with a retro-futurist edge.
The letterforms appear designed to translate a pixel/plotter sensibility into clean vector geometry—favoring repeatable modules, chamfered corners, and squared counters for a distinctly technical look. The emphasis is on impact and a recognizable silhouette rather than neutrality, aiming for strong, iconic display performance.
Distinctive identifiers include boxy bowls on B/P/R, an angular D with a faceted outer edge, and a Q featuring a vertical spur descending from the bowl. Numerals follow the same octagonal construction, with the 8 formed from stacked, squared loops. At smaller sizes the tight internal apertures may fill in, so the face benefits from generous sizes and clear contrast with the background.