Sans Faceted Myhu 12 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bunken Tech Sans' by Buntype and 'Tradesman' by Grype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, tech, industrial, sporty, arcade, impact, machined geometry, display clarity, branding voice, octagonal, chamfered, angular, blocky, geometric.
A geometric, all-caps-friendly sans built from straight strokes and clipped corners, where curves are largely replaced by chamfered, octagonal turns. Stems are heavy and uniform, counters tend toward squared rectangles, and terminals finish with consistent angled cuts that create a faceted, engineered rhythm. Proportions feel compact and sturdy, with wide capitals and a tall, utilitarian lowercase that reads close to the cap height. Diagonals are crisp and structural, and the overall spacing and weight distribution favors solid, sign-like silhouettes over delicate detail.
Best suited to display settings where the angular construction can be appreciated: headlines, posters, product branding, team or event graphics, and packaging. It can also work for short UI labels or signage-style applications when a strong, technical presence is desired, but long passages may feel heavy due to the dense, blocky texture.
The faceted construction and hard corners give the font a mechanical, high-impact tone that suggests machinery, sports branding, and digital-era display aesthetics. It reads confident and tough, with an energetic, arcade/scoreboard edge that feels contemporary rather than retro-script or calligraphic.
The design appears intended to translate a sturdy sans into a faceted, planar system—prioritizing impact, consistency, and a machined geometry over conventional roundness. Its clipped corners and squared counters aim to deliver a distinctive, easily recognizable voice for bold branding and attention-grabbing typographic statements.
Round forms like O/C/G/Q resolve into polygonal bowls, keeping texture consistent across the set; this helps maintain a uniform, modular feel in longer lines of text. The squared counters and clipped joins can look dense at small sizes, while larger sizes emphasize the distinctive planar geometry.