Sans Other Ohmy 3 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Ft Thyson' by Fateh.Lab, 'New York Line' by Kustomtype, and 'Monbloc' by Rui Nogueira (names referenced only for comparison).
Keywords: game ui, tech branding, posters, headlines, logotypes, techno, arcade, industrial, futuristic, mechanical, digital feel, compact display, systematic geometry, retro-tech, square, angular, blocky, pixel-like, geometric.
A compact, square-built sans with heavy, uniform strokes and sharply cut corners. Forms are constructed from straight segments and right angles, with occasional 45° joins in diagonals (notably in K, V, W, X, Y) that keep a rigid, engineered rhythm. Counters tend to be rectangular or tightly squared, and curves are largely avoided, producing a crisp, modular texture in both caps and lowercase. Spacing is tight and the overall silhouette is boxy, giving lines of text a dense, gridlike color.
Best suited to display sizes where its squared details and compact rhythm can read clearly—game interfaces, tech or hardware branding, sci‑fi themed posters, labels, and short headline work. It also performs well in alphanumeric-heavy contexts such as product names, scoreboard-style readouts, and UI badges, where the mechanical consistency reinforces a system aesthetic.
The design reads as distinctly digital and machine-made, evoking arcade UI, sci‑fi labeling, and industrial control-panel typography. Its hard edges and simplified geometry create a utilitarian, assertive tone with a retro-tech flavor.
Likely designed to deliver a bold, modular sans that feels engineered and digital, prioritizing a tight footprint and strong presence. The emphasis on right angles, squared counters, and simplified structure suggests an intent to echo pixel/grid logic while remaining typographic rather than purely bitmap.
Several glyphs lean on stencil-like breaks and squared apertures, which increase the sense of constructed parts rather than drawn letters. Numerals and punctuation match the same rectilinear logic, helping mixed alphanumeric strings feel consistent and signage-like.