Outline Laha 9 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, packaging, techno, retro, arcade, industrial, futuristic, impact, thematic display, digital styling, logo-ready, signage, geometric, angular, squared, modular, monoline.
A geometric, modular outline design built from squared-off contours and mostly right angles, with occasional chamfered corners to soften turns. The strokes are monoline outlines with generous interior counters, creating a hollow, stencil-like presence where the letterforms read as bold frames rather than filled shapes. Proportions are predominantly wide with compact vertical rhythm, and spacing feels engineered to keep the outlines clean and legible at display sizes. The overall construction is consistent and grid-minded, with simplified curves rendered as squared bowls and rounded forms interpreted through stepped geometry.
Best suited for display applications such as headlines, posters, logotypes, and branding that wants a techno or retro-arcade flavor. It also works well for game interfaces, sci‑fi themed titles, and packaging where bold outline letterforms can create strong impact on high-contrast backgrounds. For longer text, larger sizes and looser tracking help preserve the clarity of the hollow interiors.
The font conveys a distinctly digital, game-like tone—part arcade cabinet, part sci‑fi UI. Its hollow, boxed construction feels mechanical and coded, suggesting circuitry, terminals, and futuristic signage. The rigid geometry and chunky outline weight add an assertive, industrial edge while remaining playful and stylized.
The design appears intended to deliver a bold, geometric outline voice that references digital-era lettering—combining modular construction with a high-impact, sign-like silhouette. Its emphasis on squared contours and framed interiors suggests a goal of creating instantly recognizable, thematic letterforms for titles and graphic statements rather than neutral reading.
The outline treatment creates strong figure/ground interplay, especially in letters with enclosed counters, which read like inset windows. Diagonals and curves are handled sparingly and tend to appear as angular approximations, reinforcing a pixel-adjacent, engineered aesthetic. The sample text shows the face holding together best when given enough size and breathing room so the interior voids don’t collapse.