Sans Superellipse Unra 7 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, packaging, sportswear, techno, industrial, sporty, futuristic, arcade, impact, modernity, strength, legibility, squared, rounded, blocky, compact, punchy.
A heavy, squared-yet-rounded sans with superelliptical geometry: corners are softened into consistent radii while bowls and counters stay boxy and horizontally oriented. Strokes are uniform and dense, with broad shoulders and flattened curves that create a sturdy, modular rhythm. Terminals are mostly straight and blunt, and the overall silhouettes read as compact blocks with clear cut-ins and notches rather than flowing curvature. Numerals and capitals feel especially constructed, with wide, stable forms and simplified interior spaces that emphasize impact over delicacy.
Best suited to headlines, logotypes, and brand systems that need a robust, geometric signature. It works well in posters, packaging, event graphics, and UI/overlay moments where bold labels must remain legible at a glance. The strong, squared forms also lend themselves to sporty or industrial themes and retro-tech styling.
The tone is assertive and engineered, evoking contemporary tech interfaces, motorsport graphics, and arcade-era display lettering. Its rounded-rectangle construction adds a friendly, modern edge while keeping the voice tough and utilitarian. Overall it communicates speed, strength, and a slightly retro-futurist confidence.
The design appears intended to deliver maximum visual punch with a coherent rounded-rectangle construction, prioritizing bold readability and a distinctive, tech-forward silhouette. Its simplified curves and blunt terminals suggest a deliberate, modular approach aimed at display typography and identity work rather than subtle text setting.
At larger sizes the consistent corner treatment and square counters become a defining texture, producing a cohesive “panel” look across words. The design’s blockiness can make dense paragraphs feel heavy, but it excels when used for short bursts of text where shape and presence matter most.