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Free for Commercial Use

Sans Superellipse Himut 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' by Emtype Foundry, 'Bystone' by GraphTypika, 'Neusa Neu' by Inhouse Type, 'Adhesive Letters JNL' by Jeff Levine, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, playful, friendly, punchy, retro, sporty, impact, approachability, retro feel, geometric consistency, brand presence, rounded, soft corners, blocky, compact, monoline.


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A heavy, monoline sans with rounded-rectangle construction and softened corners throughout. Curves read as squarish superellipses rather than true circles, giving bowls and counters a compact, slightly condensed feel. Terminals are blunt and sturdy, with generous stroke thickness and minimal modulation; joins stay clean and closed, producing dense silhouettes and small-to-medium apertures. Uppercase forms feel tall and assertive, while lowercase keeps simple, single-storey shapes and short ascenders/descenders, maintaining an even, blocky rhythm across words and numbers.

This font is well suited to short, high-impact text such as headlines, poster typography, branding marks, and packaging where a bold, friendly voice is needed. It can work well for signage and labels thanks to its sturdy shapes, especially when set at larger sizes with comfortable spacing.

The overall tone is bold and approachable, with a toy-like, sporty energy that leans slightly retro. Its rounded geometry and hefty weight make it feel friendly and informal, while the compact counters add a confident, punchy presence.

The design appears intended to deliver maximum impact with a soft-edged, geometric feel—combining strong, compact letterforms with rounded-rectangle curves to create a distinctive, approachable display voice.

The squarish rounding is consistent across letters and numerals, which helps maintain a cohesive texture in large settings. At smaller sizes, the dense interiors and tight openings can visually fill in, so it reads best when given space, larger sizes, or generous tracking.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸