Sans Superellipse Hogev 2 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok, 'Gravitica Mono' by Ckhans Fonts, 'Mono Spec' by Halbfett, 'Organetto' by Latinotype, 'PF DIN Mono' by Parachute, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: ui labels, signage, packaging, posters, editorial heads, utilitarian, technical, industrial, retro, sturdy, systematic, legibility, impact, utility, consistency, blocky, rounded, squared, compact, ink-trap.
A heavy, squared sans with rounded-rectangle counters and softened corners, giving many letters a superellipse-like geometry. Strokes stay consistent and dense, with compact apertures and a generally closed, sturdy silhouette that holds together at larger sizes. Curves are built from broad radii rather than circular bowls, and joins show subtle notches/ink-trap behavior in a few places, reinforcing a pragmatic, engineered feel. Spacing is even and cell-like, creating a regimented texture in lines of text and a pronounced, poster-friendly rhythm in headlines.
Works well for interfaces, dashboards, labeling, and signage where consistent spacing and strong shapes improve scanning. It also suits packaging and poster headlines that benefit from a compact, industrial presence, and can function for short editorial heads or callouts where a sturdy, geometric tone is desired.
The tone is practical and no-nonsense, with a technical, industrial flavor that also reads as mildly retro due to its boxy rounded forms. It feels dependable and workmanlike rather than elegant, suggesting tools, labeling, and straightforward communication.
The design appears aimed at a functional, system-like aesthetic: squared, rounded forms and uniform rhythm to keep text orderly and emphatic. It prioritizes solidity and regularity for clear, assertive communication in both numeric and typographic content.
The uppercase set reads particularly geometric and compact, while the lowercase maintains the same squared construction, keeping the overall voice consistent across cases. Numerals are similarly robust and high-impact, suited to display settings where strong silhouettes matter more than delicate detail.