Sans Superellipse Kema 2 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Brohero' by Alit Design, 'Angela Love Sans' by Fargun Studio, 'Grand' by North Type, 'Hype Vol 1' by Positype, 'Marked' by Sensatype Studio, 'Denso' by Stefano Giliberti, 'Robusta' by Tilde, 'Tolyer' by Typesketchbook, and 'Chairdrobe' by XTOPH (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, logotypes, sporty, energetic, bold, industrial, retro, high impact, space saving, speed cue, branding, condensed, oblique, blocky, squared, rounded corners.
A heavy, condensed oblique sans with compact counters and squared, superellipse-like bowls softened by rounded corners. Strokes are broadly uniform with crisp, planar terminals and occasional angled cuts that enhance forward motion. The uppercase is tall and tightly fit, while the lowercase keeps a large, prominent x-height with simplified forms and minimal interior space. Numerals follow the same blunt, engineered geometry, reading solid and tightly packed at display sizes.
Best suited for display work where impact matters: posters, bold headlines, sports and motorsport-style branding, product packaging, and compact logotypes. It can also work for short UI labels or signage when set large enough to preserve clarity in its tight counters.
The overall tone is assertive and kinetic, combining a utilitarian, machine-cut feel with sporty forward slant. Its dense black shape and compact rhythm give it a punchy, high-impact voice suited to fast, loud messaging.
The design appears intended to deliver maximum visual force in limited horizontal space, pairing condensed width with a consistent oblique stance for speed and urgency. Its rounded-rectangle construction prioritizes strong silhouettes and a modern, engineered consistency across letters and numbers.
The condensed proportions and tight apertures make the texture strong and continuous, with emphasis on silhouette over interior detail. The oblique angle is consistent across the set, helping lines of text feel like they are leaning into motion.