Sans Superellipse Olnuk 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bond 4F' by 4th february, 'Broadside' by Device, 'Rice' by Font Kitchen, 'Asket' by Glen Jan, 'Otoiwo Grotesk' by Pepper Type, and 'Ordina' by Schriftlabor (names referenced only for comparison).
Keywords: headlines, posters, signage, ui labels, packaging, industrial, utilitarian, modern, compact, technical, space saving, modern utility, geometric identity, high impact, rounded corners, squared curves, condensed, sturdy, clean.
A condensed sans with heavy, even strokes and rounded-rectangle construction throughout. Curves resolve into squared, superelliptic bowls, giving letters like C, O, and G a compact, engineered feel, while terminals are generally flat with softened corners. Proportions are tight with short crossbars and narrow apertures, producing a dense texture in text. Lowercase forms stay straightforward and single‑storey where expected (notably a and g), with minimal modulation and a consistent, controlled rhythm across letters and figures.
Works well for headlines and short blocks of text where a compact, high-impact voice is needed, such as posters, branding lockups, packaging, and wayfinding. Its dense proportions also suit UI labels and dashboards where horizontal space is limited, while the rounded-square forms maintain a friendly edge in technical contexts.
The overall tone is functional and no-nonsense, with an industrial modernity driven by compact spacing and rounded-square geometry. It feels sturdy and pragmatic rather than delicate, suggesting efficiency, signage clarity, and product-focused communication.
The design appears intended to deliver a space-saving sans with a distinctive rounded-square skeleton, balancing a modern industrial aesthetic with softened corners for approachability. It prioritizes uniform stroke weight and consistent geometry to keep text color steady and shapes strongly recognizable at display and interface sizes.
Distinctive details include a boxed-in, rounded-corner silhouette across many glyphs, a cleanly descending Q tail, and numerals that match the same compact, softened-rectilinear logic. The sample text shows strong word shapes and a uniform color, with the narrow proportions emphasizing verticality and economy of space.